Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Friday, June 22, 2012

A Visit to the 9/11 Memorial - May 2012

9/11 Memorial
May 2012
From a Charlie Rose Interview dated Septemeber 13, 2011, Michael Arad, Architect for the 9/11 Memorial, shares his concept behind the design of the memorial:

This is a kind of place that is equivalent of a moment of silence.  Open to you to bring what you want to bring into it.  It is very much about creating a place that allows that to happen.  That brings you into a space that is conducive to contemplation.  To sort of setting aside of all these concerns.  Setting aside the sights and sounds of the City.  Not completely removing yourselves from them.  But the sound of the water and the canopy of trees overhead and this space in front of you should put a filter between you and the concerns of the every day.  And allow you to think.  To think what has happened over the last ten years.  To bring the past into the present.
Arad also describes how the concept "came to him in a dream" where he saw two crisp voids in the Hudson River with water flowing down the walls of them.

During a visit to the memorial in May 2012 I saw many knit-brows, looks of contemplation and thought on many of the faces visiting or working there.  On faces of people placing flowers on the names of loved ones.  On faces of young Navy servicemen.  On faces on the Security.  On many faces.  And I was curious what they were (or appeared to be) thinking.  Was it the site?  The terrorist attack?  The thousands of wasted lives?  The wars we are fighting?  The destruction?  Or was it just the every day?  My coffee is cold?  How am I going to pay for my mortgage this month?  Who knows.

And as I walked through the space I felt open to bring what I wanted to bring.  And I thought what could people take out of it? The new towers rise heroically over these quiet, black voids.  Voids now exist where there were towers.  There is absence as Arad says.  There is a reckoning with agony and pain.  There is a possibility that things can be made better in the world.  There is a feeling that the people who died here did not die in vane.  "I know a place / I'll take you there!" 

There is hope.

But people need to bring what they want to bring.  And when people visit this place, bringing what they bring, what they take out could be something else.

Peace to those lost and to those who mourn them.

Friday, March 16, 2012

Deal Reached in AIDS Memorial Dispute - Architectural Record

Winning Design:  The limitless and serene INFINITE FOREST by Studio a+i
Image by Guillaume Paturel/Courtesy Studio a+i
From a March 15, 2012 article in Architectural Record by C. J. Hughes:

"Studio a+i’s concept for an AIDS memorial in Manhattan’s Greenwich Village will be scaled down to less than one tenth of the size envisioned by supporters."

Link to the full article below:


A "deal" may have been reached but the final design sounds wide open.  Below is my proposal for the memorial.  The idea is a place of the park, part of it, and yet set apart.  Visitors to the memorial, the learning center and the park are given opportunities and places to create their own experiences and remembrances. 


Sunday, February 05, 2012

A Place Set Apart: The NYC AIDS Memorial Park Design Competition

memorial court
This is my entry for the NYC AIDS Memorial Park Design Competition hosted by Architizer and chaired by Michael Arad, designer of the 9/11 Memorial.  A sunken court with an altar - a living memorial - where personal tributes can be placed.  The place is a quiet place.  A place to remember.  A place to contemplate.  It is a special place in NYC for those to remember loved ones, known, unnamed, unremembered.  A place to honor health care providers who helped those with AIDS.  A place to remember those who died from AIDS.  A place to think about AIDS.  A place to recall and feel our common ties.  A place to move on. A place set apart.


There is no true standing memorial to HIV victims . . . so the bland sarcophagus along Seventh Avenue holds that place in the geography of our plague memory; it is a museum, almost, a place haunted by Whitman’s “carols of Death.”

– David France, New York Magazine


aerial view

street plan - the park


basement plan - the learning center
The Altar in the Memorial Court is in line with the main open-plan digital exhibition space.  Since all the walls in the digital exhibition space are glass the Altar and Court are always visible.  The plan is set up to encourage visitors to remember. 



From Architizer about the site:

The site is located at the gateway to New York City's storied West Village neighborhood and blocks from the Chelsea neighborhood, on a triangle of land bounded by Seventh Avenue, West 12th Street and Greenwich Avenue. The cultural significance of this site cannot be overstated; it stands at the epicenter of the AIDS epidemic in New York City through its adjacency to the former St. Vincent's Hospital.

St. Vincent's is the single site most associated with the AIDS crisis in New York City. The hospital figures prominently in The Normal Heart, Angels in America, As Is and other important pieces of literature and art that narrate the stories of the plague years in New York. The area is also in close proximity to the LGBT Community Center, where ACT-UP and other AIDS advocacy/support groups first organized. The memories, personal stories, and associations with the hospital run very deep.

This triangle was the location of the Loew's Sheridan movie theater until the late 1970s when it was demolished to make room for the hospital's expansion including a loading facility, medical infrastructure and below-grade storage space. St. Vincent's hospital tragically went bankrupt in April 2010, and the entire former medical campus is being redeveloped into a new luxury residential development.

As part of that redevelopment, this site is being redesigned as new public open space. For many years, the community has expressed desire that the site be turned into a public park. The West Village, like most of Lower Manhattan, is starved for public, green, open places for relaxation.

The significance of the location, coupled with this redevelopment, creates an unprecedented opportunity. We strongly believe that the time has come for New York City to recognize this important history with a living memorial park that connects current and future generations and guides us forward.

section looking towards Saint VIncent Hospital

Also from Architizer:

We are looking for designs that function simultaneously as a useable park for the surrounding park-starved neighborhood and a significant memorial to the AIDS Crisis. Designs will be evaluated in their success at creating a functional park, available for both passive and active recreation, and a significant memorial with a strong commemorative narrative. Designers should consider reusing existing below-grade space to expand and extend the commemorative narrative: As a space for exhibition, teaching, meditation, or memorial elements. The park, memorial features, and any use of below-grade space must be integrated both functionally and aesthetically.               




Additional evaluation criteria call for park designs that:
  • Creatively and comprehensively integrate the important commemorative narrative into the fabric and essence of the park to create a living memorial
  • Seamlessly integrate any adaptive reuse of the below-grade space, including issues of access/egress and ventilation
  • Are welcoming, accessible and usable by all
  • Seek to maximize planted areas and gardens
  • Include ample seating and pedestrian walkways                   




My solution proposes a sunken court that ties the park above with the learning center below.  The court is oriented towards the original hospital paying homage.  A water monument stands on the 7th avenue end signifying loss while a garden is placed on the opposite Greenwich avenue end to signify life.

Functionally the court is designed to work with the existing grid structure of the abandoned basement.  The court is separate from the learning center and provides an opportunity for natural light to penetrate the basement below as it punctures ground from above.  Stairwells also act as lightwells.

The park is designed to protect the memorial.  Also the memorial is part of the park.  It is a mix of public and intimate.  The park has places to sit, enjoy, play chess, stroll, farm.  But through out the park the memorial with its water monument is always perceived and present.  People should not be forgotten.

The learning center is completely accessible from above and below.  Tunnels under West 12th and 7th are re-used so that pedestrians can get to and from the park safely.  Elevators are provided.

All this to provide a place to remember.  A place set apart.  To remember those lost to AIDS.  To learn.  To sit.  To move on.  It is a respite from the urban hub-bub.  Sweet.  Bittersweet.  Bitter.  Sweet again.

Life from death ...

obelisk at Greenwich and 7th
A digital display for time, art, weather, and news provides a new landmark for the intersection at Greenwich and 7th.

Friday, July 03, 2009

When Architecture = Art

These models were being exhibited at MoMA in New York City in December 2008. I like the way they blur the boundaries between architecture and art.